Meanwhile Dublicist has released his 11th(!) album as CHUNK098.
In opposite to the most earlier releases this one has more “old schoolish” feeling dub, no longer than 4 1/2 minutes, but is strange enough not just sound like a pure copy. Anyway, decide for yourself…

It’s also been three years or so since Virgil Bernixen did a new album. “Remain In Dust” (CHUNK097) is something between a reconstruction, a persiflage and a hommage to an album from 1980 (Guess what). It totally plunders the source and makes a lofi House joint from it. The vertical sample extracting was done by a neuronal network, but the main work as horizontal sample cutting, editing and so on was still done in weeklong small work. Ok, this is one possible result. Enjoy the tour – and maybe feel a bit sentimental…

This is the 4th album by Takuya Mitarashi. “A Clear View On That What Is” (CHUNK096) comes close to the predecessor: A primordial soup of washed out sounds, sometimes with a rhythmic dub-techno-like appearance.

Since there was not so much happening here, the Corona crisis made Father Valium doing a new collection of tracks. “The Virus Is My Revenge” (CHUNK095): 15 numbers of fast Tech programming.. a bit cheap, but often to the point and no circumstances. Play it loud.

Daubenkötter’s last album was released in 2016. Here comes some live appearance over 160 minutes: “Live Torture” (CHUNK094). No new tracks, but a bit differently sounding than previous stuff… 29 tracks with live atmo and lots of techno/techhouse/post-punk-funk noise.